New Works, New Voices

Congratulations to Veronica Mansour and abs wilson, creators of the new musical, Lighthouse, which will be produced at the Syracuse University Department of Drama in as the New Works, New Voices Spring 2024 workshop!

Check out more about the Lighthouse team and the musical here.

Submissions for NWNV are now closed for 2024.

Please check back in Spring 2024 for more information about future submission opportunities.

What is NWNV?

 

Now in its third year, New Works, New Voices (NWNV) is an initiative at the Syracuse University Department of Drama created to support the development of musicals by writers and composers whose perspectives have been historically underrepresented in the musical theater canon.

Each year, one musical is selected to receive a 3-week developmental reading in the Spring semester, directed and music directed by SU Drama faculty and performed by SU Drama BFA students.

The writing team will be in residence during weeks 2 and 3 of the rehearsal process (travel and lodging provided by NWNV) and will participate virtually during week 1.

More info. about the Syracuse University Department of Drama can be found here.

Questions? Please email Kathleen Wrinn, Artistic Director of NWNV and Assistant Professor of Musical Theater at SU Drama (kawrinn@syr.edu).

Submissions for NWNV 2024 are now closed. Please check back in Spring 2024 for more information.

NWNV Submission Guidelines

 

NWNV is open to any writers and composers who feel their perspectives have been historically underrepresented in the musical theater canon.

All creative team members must be 18 years of age or older. Applicants are welcome to submit more than one musical work for consideration and may re-apply with shows submitted in previous years.

Submissions for the Spring 2024 NWNV developmental reading are due by July 1, 2023 (11:59pm EST). Semi-finalists will be contacted for additional materials in late summer/early fall 2023.

Submission materials include:

BRIEF SYNOPSIS (< 1 page) of your musical (PDF);

CHARACTER BREAKDOWN, including short descriptions of each character (PDF);

FIRST 10-15 PAGES of the libretto (PDF);

AUDIO DEMOS of THREE (3) SONGS from your musical (MP3s);

SHEET MUSIC (or lead sheets) for your three (3) demo songs (PDF);

• Brief descriptions (1-3 sentences each) of the DRAMATIC CONTEXT for each song (PDF);

LYRIC SHEETS for any demo songs not included in the first 10-15 libretto pages (PDF);

CREATIVE TEAM BIOS (250 words max.) for each team member (PDF);

SHORT STATEMENT (< 1 page) as to why you feel your musical should be included in an initiative aimed at amplifying the voices of writers and composers whose perspectives have been historically underrepresented in the musical theater canon (PDF);

• [If Applicable: COPYRIGHT CLEARANCE, or if under option, a LETTER FROM THE OPTION HOLDER giving permission for entry.]

Questions? Please email Kathleen Wrinn, Artistic Director of NWNV and Assistant Professor of Musical Theater at SU Drama (kawrinn@syr.edu).

Past Recipients and Finalists

  • NWNV 2023 Recipient

  • NWNV 2023

    Recipient:
    THE MYTH OF THE MOUNTAIN
    (Book & Lyrics by Danielle Koenig, Music by Justin D. Cook)
    ——
    Finalists:
    FOR SHOW
    (Book & Lyrics by Carrie Caffrey, Music by Earl Marrows)

    GROUP!
    (Book by Julia B. Rosenblatt, Music by Aleksandra Weil, Lyrics by Eloise Govedare)

    STEVIE AND THE INFINITE SCROLL
    (Book, Music, & Lyrics by Kristen Goodman and Eddie Bean)

    THE LOST GIRL
    (Book & Lyrics by Arianna Rose, Book & Music by Ben Bonnema)

    THE RADIUM GIRLS:
    A JAW-DROPPING NEW MUSICAL
    (Book & Lyrics by Sami Horneff and Lisa Mongillo, Book & Music by Amanda D'Archangelis)

  • NWNV 2022

    Recipient:
    MISS HAVISHAM’S WEDDING
    (Book by Laura Barati, Music by Jude Obermüller, Lyrics by David Gomez)
    ——
    Finalists:

    REAL PEOPLE THINGS
    (By Janey Feingold and Bela Konstancja Kawalec)

    ROCK ME MAMA
    (Book and Lyrics by Sarah Mucek, Music and Lyrics by Karen Hartman, Additional Music by Rick Hip Flores)

    SAFE HANDS
    (By Alara Magritte & Daniel Rosen)

Reactions to NWNV

 

“We've learned so much about our characters thanks to the actors… We were able to see completely new and informative characterizations from our leads to our supporting cast and ensemble…I can attest to the fact that this has been one of the absolute best development opportunities I've had as a writer.”

— Laura Barati, Bookwriter for Miss Havisham’s Wedding, NWNV ‘22

“It was so, utterly helpful and invaluable to have received…thoughtful, deeply-considered questions and comments a few months before rehearsals began. It gave us the time to actually do some significant rewriting before we began the residency.”

— Jude Obermüller, Composer for Miss Havisham’s Wedding, NWNV ‘22

“I discovered that I am very adaptable. I learn music very fast and enjoy the rush of a process like this!”

— Student Performer, Miss Havisham’s Wedding, NWNV ‘22

 

“I was grateful that the process allowed for the students to experiment, be silly, and try big choices with the freedom to fail in a supportive environment…The most exciting part was seeing the students be invigorated by the mystery of the artistic process.

— David Gomez, Lyricist for Miss Havisham’s Wedding, NWNV ‘22

“I learned so much about myself and the kind of work I would like to do in my career going forward. This has been the most fun I have had on a show…because of how artistically inspired I felt.”

— Student Stage Manager, Miss Havisham’s Wedding, NWNV ‘22

“It is incredible and super important for young artists to learn how to work in an environment that is constantly changing with professionals who are just as passionate about their craft as we are.”

— Student Performer, Miss Havisham’s Wedding, NWNV ‘22